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#21
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| Re: Traditional Ethnic or World Music That's sheer poetry Samm, or at least that's how it was felt by my saliva glands. But mossioeu, hush puppies with the dish? Puppies are young doggies no? And is all this swallowed without the right amount of diluted and aromated C2H5OH ? And creole, isn't that the Deep South too? Dying for an explanation here. |
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#22
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| Re: Traditional Ethnic or World Music Quote:
Samm
__________________ One sees clearly only with the heart. Anything essential is invisible to the eyes. |
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#23
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| Re: Traditional Ethnic or World Music Quote:
by the way samm, tennessee is truly beautiful. on the way home from fort benning to the great lakes we drove through it-the country in georgia is all dust and red clay and scrub things growing, or trying to. but suddenly, crossing the border into tennessee we re-enter the world. the trees, the mountains, and all that which inspired music and poems in the 'new' world. |
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#24
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| Re: Traditional Ethnic or World Music I may be wrong but I think there is a difference between cajun and creole. The creole culture is a black French Caribbean culture from the islands like Haiti in the Gulf. The French Canadians to which you referred occupied the Arcadian region of Canada before they were, I think, forced to migrate out of Canada and came eventually to make a new home in Louisiana. It was there that the Arcadians, as they were known, became the ar'cajuns, and finally the cajuns. There's been some 200 odd years of interaction between creoles and cajuns in the wetlands of the Mississippi delta and especially "the Big Easy" as New Orleans is called. And yeah, its a special and unique place without another of its kind in the whole country. I love their dialects as well as their spicey cuisine, and of course their music is as unique as the people themselves. Samm
__________________ One sees clearly only with the heart. Anything essential is invisible to the eyes. |
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#25
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#26
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| Re: Traditional Ethnic or World Music I would have answered that the black people came as slaves from Africa via one route or another, but I defer to this Wikipedia link that will provide more detailed info. (Its more or less accurate but better researched than what I could provide.) Louisiana Creole people - Wikipedia, the free encyclopedia I hope this helps. Samm
__________________ One sees clearly only with the heart. Anything essential is invisible to the eyes. |
| The following users say: THANK YOU - Samm for the above post! | ||
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#27
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| Re: Traditional Ethnic or World Music A potpourri post -- sorry I've been away for a few days. Salima, I didn't know about your dialup download problem. Your videos played very well -- thanks. I do agree with you on a "too polished" production of traditional music. Are you able to download/listen to simple streaming audio without too much frustration? If so, please advise -- I know a few good sites for that. A SAD TRADITIONAL-STYLE SONG OF THE AMERICAN CIVIL WAR Although this was recently written by Elvis Costello for the movie Cold Mountain, a tragic story set during American Civil War, it done in old-timey traditional style and beautifully sung by Alison Krauss. I'll post the lyrics first, then the link. The Scarlet Tide VERSE ONE: Well I recall his parting words, Must I accept his fate, or take myself far from this place? I thought I heard a black bell toll. A little bird did sing. Man has no choice when he wants everything. CHORUS: We'll rise above The Scarlet Tide That trickles down through the mountains And separates the widow from the bride. VERSE TWO: Man goes beyond his own decision, Gets caught up in the mechanism Of swindlers who act like kings, And brokers who break everything. The dark of night was softly fading, Close to the dawn of day. Why would I want him, just to lose him again? REPEAT CHORUS. SOUTHERN FOOD AND CAJUN SONGS While searching for Southern traditional-music/bluegrass singer Tim O'Brien's song "Cornbread Nation", I came across: This Cajun song sung in both French and English by Tim O'Brien and Courtney Granger, nephew of Christine Balfa (daughter of the founder of Cajun band Balfa Toujours?), who is married to Dirk Powell, a close collaborator of Tim's. First lyrics, then link. Deux Voyages Ils sont partis du pays pour faire un grande voyage Ils ont traverse la mer avec juste leur courage Mas pfres ont laisse tout pour la liberte Il y avait pas un roi qui pouvait les enchainer They left their land behind to make a great journey With nothing but their music, their courage and their names Our fathers sailed the sea to the west seeking freedom There never was a king that could keep them in chains I went back across the sea to find where I came from To the land of my fathers, to their own little town Such a beautiful place, I'll never know how they left it But they gave it up for me and the new life they found J'ai traverse la mer pour rechercher mon heritage Dans le pays de mes pfres, leur petit village Comment ils ont guitte cette belle place, Je peux pas comprende Ils ont risque tout ils avaient pour leurs decendants AND FINALLY, while still searching for Tim O'Brien's "Cornbread Nation", I found this gem: A little history: Tim O'Brien is a not-very-famous artist, but among American traditional music enthusiasts, he is a god. He is a "traditional purist" and a musician's musician who plays several instruments and sings harmony on many albums by better known artists. Before producing his album "The Crossing", a hybrid of Irish and American Appalachian traditional music (which was largely based on Irish and Scot music), Tim stayed in Ireland for a considerable time to REALLY learn Irish music. The list of musicians who accompany Tim on "The Crossing" album reads like a "who's who" of some of the finest musicians on both sides of the Atlantic. Probably due (in part) to the above Irish adventure, I found a video I'd never heard of before -- and this one is a must-see!! Tim O'Brien, The Chieftans and even some Riverdancers performing the old-timey traditional American Appalachian tune Shady Grove. Oh, and about Southern cooking. I would not recommend trying to make our famous "shoo fly pie" (cane molasses pie). I tried it once. I looked in the oven, everything was fine, dark molasses bubbling in a pie crust. I opened the oven 10 minutes later to find a completely empty pie crust. It took DAYS, not mere hours, to clean all the molasses from every part of that oven. rebecca |
| The following users say: THANK YOU - melonkali for the above post! | ||
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#28
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| Re: Traditional Ethnic or World Music sweet potato pie is fabulous, though! and sweet potato pancakes... no, i cant watch streaming audio or podcasts or anything like that. maybe some day... bluegrass is also good, i was going to look for one for this thread, but i think i will go find a nusrat. the problem is they are 25-40 minutes long and most people wont listen to the whole thing. he has done some short ones, but they arent as good-it is like having a six minute quickie. qawwali needs time to build and time for the listener to imbibe and react. |
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#29
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| Re: Traditional Ethnic or World Music Ooops! My original Georgian Legend vid is apparently no longer available. HOWEVER, there is still another version of it on Youtube, so I'll link it here and see what happens. Reminder: The concert group Georgian Legend produced this video to the powerful song "Shatilis Asulo" to specifically give Westerners a "feel" for the Republic of Georgia. GA Legend is one of the rare Georgian concert groups which uses Western instruments. Let's see if this link works. rebecca |
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| Re: Traditional Ethnic or World Music I'd originally mentioned the difference in Finnish (Karelian) music and Nordic/Norse music. There is some Norse traditional music in the very Western part of Finland where the Swedes settled (and still largely speak Swedish). Since I did post some Finnish Karelian music, I went searching for authentic Norse traditional music. Authentic music was hard for me to find, in light of the new Viking Death Metal movement (UGH!!) plus the history that around 1500-1600 the big three Norse nations (Sweden, Norway, Denmark) were heavily influenced by European court music. The traditional Nordic music tradition has survived somewhat in the Faroe Islands (where?) and Iceland. The first group is Voces Thules, a classically traditionally trained Icelandic group. WARNING: Their music can be quite dark, but well performed. The second group, Gjallarhorn, is more enjoyable, IMO. THREE SONGS BY VOCES THULES 1. Song: Olafur Liljuros, found both in Iceland and the Faroe Islands. Below are the Iceland lyrics. Essentially a knight/prince (Olaf) rides through the woods, gets seduced by elf maiden, he starts to kiss her and she whacks him in the chest with her axe. In Christianized versions, he rejects her for God, but still grants her a parting kiss and WHACK! This represents, I believe, the kind of ballad traditionally used for round dancing in Nordic countries... Olafur Liljuros Olafur reið með björgum fram, Villir hann, stillir hann. Hitti hann fyrir sjer alfarann; Þar rauður loginn brann. Bliðan lagði byrinn undan björgunum, Bliðan lagði byrinn undan björgunum fram. þa kom ut ein alfamær, Villir hann, stillir hann. Hun var ekki Kristi kær; Þar rauður login brann. Bliðan lagði byrinn undan björgunum, Bliðan lagði byrinn undan björgunum fram. Vendi jeg minu kvæði i kross. Villir hann, stillir hann. Sankta Maria sje með oss, Þar rauður login brann. Bliðan lagði byrinn undan björgunum 2. Again by Voces Thules -- Trollaslagur (Troll's Fight?) -- note the parallel 5th's and 4th's in the vocal harmony (that and the "organum" and the "darker" often minor sounds are supposedly indicative of old Norse music) Trollaslagur 3. The final song by Voces Thules -- Kummavisur, The Raven -- I'll post the Iceland lyrics and rough English translation (which I believe was posted verses backward at Youtube) Krummavisur Krummi svaf í kletta gjá, - kaldri vetrar nóttu á, verður margt að meini; fyrr en dagur fagur rann freðið nefið dregur hann undan stórum steini. Allt er frosið úti gor, ekkert fæst við ströndu mor, svengd er metti mína; ef að húsum heim ég fer, heimafrakkur bannar mér seppi´ úr sorpi´ að tína. Öll er þakin ísi jörð, ekki séð á holta börð fleygir fuglar geta; en þó leiti út um mó, auða hvergi lítur tó; hvað á hrafn að éta? Sálaður á síðu lá sauður feitur garði hjá, fyrrum frár á velli. --------------------------------- It is very difficult to translate this, because you have to know more about poems than translations, you have to understand the poem before you translate, otherwise the translation will sound horrible.? +2 3: The earth is covered in ice You can't? see the ground at all Full-fledged birds are capable of Full-fledged birds are capable of But even though I look everywhere There's just one color What can a raven eat What can a raven eat? Huldumavur (4 weeks ago) Show Hide +2 2: Everything is frozen outside You can't get anything at the beach I'm so hungry I'm so hungry If I go to a house The dog forbids me To eat from the garbage Eat from the garbage The raven slept in a? rock-rift The raven slept in a rock-rift Huldumavur (4 weeks ago) Show Hide +2 1: The raven? slept in a rock-rift On a cold winters night There are many things that can hurt him Many things that can hurt him Before a beautiful day cameHe pulls his frozen nose From underneath a big rock Underneath a big rock The raven slept in a rock-rift The raven slept in a rock-rift NOW A LIGHTER GROUP: GJALLARHORN Gjallarhorn is actually from the Western (Swedish) part of Finland but they live in Sweden. Gjallarhorn is known for its use of the Australian Digeridoo(sp?), but iT works well substitute for the long horns used in olden days as drone instruments. GJALLARHORN TWO SONGS 1. "i riden sa" (ye ride so carefully) -- note the delicate dulcimer, an old Norse instrument, and the occasionally harmony supposedly typical of the Norse. First Swedish lyrics, then English translation. i riden sa A Silibrand körde uppa höga loftessvala Allt under den linden sa gröna Där fick han se sin dotter i lunden fara I riden sa varliga genom lunden med henne A välest mej välest mej vad jag nu ser Jag ser min dotter hon kommer til mej A Silibrand fämnar ut kap-pan sa bla Där föder hon tva kar=ska svenbarnen pa Min fader skall jag giva min gan-gare gra Som han skall rida till kyrkan uppa Min syster skall jag giva mina guld-ringar sju Som jag ej haft sen jag stod brud Min broder skall jag giva mina hand-skar sma Som han skall ha lik-vart han gar Den ene sa för dom till Fre-jas dop Den andre sa för dom till Vallhalla sal ---------------------------------------- --------- O, Silibrant went up to the high loft All under the green linden tree There he saw his daughter going to the grove Ye ride so carefully through the grove with her O, woe is me, woe is me, what do I behold I see my daughter coming to me O, Silibrant spread out his cloak so blue And upon it she did bear two bold baby boys I shall give my father my grey steed So he can ride to the church upon it I shall give my sister my seven golden rings That I have never worn since I am a bribe I shall give my brother my small gloves That he shall take with him wherever he goeth One child they took to Freya's baptism The other they took to the hall of Valhalla 2. Final song by Gjallarhorn -- and instrumental "Oravais Minuet" -- although the minuet was a European import, the battle drums and heavy fiddle syle and digeridoo drone give it that Nordic sound, IMO I'm still just learning about Nordic music, and would appreciate any and all help! rebecca Last edited by melonkali; 11-27-2009 at 08:52 PM. |
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