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| Thanatopsis Literary and Inside Straight Club Thread, Favorite Poems in Social Groups; Any author, any poetry genre. I'll start.... -------------------------------------------- The Invitation - Stephen Dobyns There are lives in which nothing goes ... |
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| Favorite Poems Any author, any poetry genre. I'll start.... -------------------------------------------- The Invitation - Stephen Dobyns There are lives in which nothing goes right. The would-be suicide takes a bottle of pills and immediately throws up. He tries to hang himself but gets his arm caught in the noose. He tries to throw himself under a subway but misses the last train. He walks home. It is raining. He catches a cold and dies. Once in heaven it is no better. He mops the marble staircase and accidentally jams his foot in the pail. All his harp strings break. His halo slips down over his neck and nearly chokes him. Why is he here? demands one of the noble dead, an archbishop or general, a leader of men: If a loser like that can enter heaven, then how is it an honor for us to be here as well-- those of us who are totally deserving? But the would-be suicide knows none of this. In the evening, he returns to his little cloud house and watches the sun set over planet Earth. He stares down at the cities filled with people and thinks how sad it is that they should rush backwards and forwards as if they had some great destination when their only destination is death itself -- a place to be reached by sitting as well as running. He thinks about his own life with its betrayals and disappointments. Regret, regret-- how he never made a softball team, how his favorite shirts always shrank in the wash. His eyes moisten and he sheds a few tears, but secretly, because in heaven crying is forbidden. Still, the tears tumble down through all those layers of blue sky and strike a salesman rushing between Point A and Point B. The salesman slips, staggers, and stops as if slapped in the face. People on the street think he is crazy or drunk. Why am I selling ten thousand ballpoint pens? he asks himself. Suddenly his only wish is to dance the tango. He sees how the setting sun caresses the cold faces of the buildings. He sees a beautiful woman and desperately wants to ask her to stroll in the park. Maybe he will kiss her cheek; maybe she will love him back. You maniac, she tells him, didn't you know I was only waiting for you to ask me? ---------- Post added 11-22-2009 at 02:33 AM ---------- --------------------------------------------- For My Lover, Returning To His Wife - Anne Sexton She is all there. She was melted carefully down for you and cast up from your childhood, cast up from your one hundred favorite aggies. She has always been there, my darling. She is, in fact, exquisite. Fireworks in the dull middle of February and as real as a cast-iron pot. Let's face it, I have been momentary. A luxury. A bright red sloop in the harbor. My hair rising like smoke from the car window. Littleneck clams out of season. She is more than that. She is your have to have, has grown you your practical your tropical growth. This is not an experiment. She is all harmony. She sees the oars and oarlocks for the dinghy, has placed wildflowers at the window at breakfast, sat by the potter's wheel at midday, set forth three children under the moon, three cherubs drawn by Michelangelo, done this with her legs spread out in the terrible months in the chapel. If you glance up, the children are there like delicate balloons resting on the ceiling. She has also carried each down the hall after supper, their heads privately bent, two legs protesting, person to person, her face flushed with a song and their little sleep. I give you back your heart. I give you permission-- for the fuse inside her, throbbing angrily in the dirt, for the bi_tch in her and the burying of her wound-- for the burying of her small red wound alive-- for the pale flickering flare under her ribs, for the drunken sailor who waits in her left pulse, for the mother's knee, for the stockings, for the the garter belt, for the call-- the curious call when you will burrow in arms and breasts and tug at the orange ribbon in her hair and answer the call, the curious call. She is so naked and singular. She is the sum of yourself and your dream. Climb her like a monument, step after step. She is solid. As for me, I am a watercolor. I wash off. |
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| Re: Favorite Poems --------------------------------------------------- Still Life - Veronica Morgan With oxygen simmering and morphine peaking, you sleep, as far as I can tell, from my seat before the window view, a Cezanne, flamed with raw leaves, where boulders break the hillside surface, flashes of their mica on mica intent and dusky as our communication dodging love by the timed coffee mugs and primary colors of our past. So often, that green-steeled desire has caught us up short with one another. Such history hardly matters now. You'll wake to fuss about this child or that, knock over the cough syrup, point out the right Scrabble letter, up on the ceiling and wonder about that steep hillside, so distant, so near, like my dreams, my holding what has never been and is always. ---------- Post added 11-22-2009 at 08:10 PM ---------- ---------------------------------------------- Like Deer Our Bodies - Wayne Dodd All the way home the ground Fog rises and swirls Around us, snow turning to air As we breathe, as we drive This familiar road Back through February Home. Houses, whole hillsides of Trees bulk beside us, seen Only in memory. Like deer our bodies, Silent togather in secret Grass, do not Speak but dream Still, beneath the hovering Cold, of food And ease among friends. Soon Together we will sleep once more Our separate lives. And when Tomorrow at first light we Wake, each Branch and blade on Peach Ridge Road will flash New ice: fog Remembered, fog saved. |
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| Re: Favorite Poems ---------------------------------------------- Reign of Terror - Jim Hall If they were pretty or opened the door wide enough, he would unlatch his raincoat and let it spring out. His eyes pleading as if he were a beggar and this a withered hand. Five said, "Jesus Christ!" Most shrieked and bolted. One laughed. One cried. And the last one invited him inside. When the officers arrived he mewled and denied it all. They took him in. The star witnesses assembled but since no one had noticed his face they were all forced to study five dangling suspects. Still there was no positive identification. Certainly nothing that would stand up in court. ------------------------------------------------- Truck Stop: Minnesota - Stephen Dunn The waitress looks at my face as if it were a small tip. I'm tempted to come back at her with java but I say coffee, politely, and tell her how I want it. Her body has the alert sleepiness of a cat. Her face the indecency of a billboard. She is the America I would like to love. Sweetheart, the truckers call her. Honey. Doll. For each of them, she smiles. I envy them, I'm full of lust and good usage, lost here. I imagine every man she's left with has smelled of familiar food, has peppered her with wild slang until she was damp and loose. I do nothing but ask for a check and drift out into the night air-- let my dreams lift her tired feet off the ground into the sweet, inarticulate democracy beyond my ears-- and keep moving until I'm home in the middle of my country. |
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| Re: Favorite Poems I tried to find a common denominator for these poems. Could it be melancholy? Life is to miss life, we're always late at the show. We're hitchhikers and God is the guy in the fat car, driving by and giving us poor fellas a contemptuous look. So we go on, and the rain is sad, and we are wet to the bone. What hope is there for hope? But we live... Last edited by Catchabula; 11-28-2009 at 02:27 PM. |
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| Re: Favorite Poems ---------------------------------------------- Skaters - Vern Rutsala There are many tonight and the rink is like a Breughel, such motion and animation, at first glance some busy microcosm. Above the rink I lean on the rail, my sleeve settling in the residue of a sticky drink and on the rail beside it, scratched: Letitia loves Spud. Below, the skaters circle craziliy, looking now like a swarm but soon you begin to see that two times stand out: The helpless scarecrows so tenuous and bad they command the attention they fear--you can almost here them pray for balance. The others you notice of course circle with such skill they seem to fly. They skate with their hands behind their backs and show enormous deference by giving the inept berths wide enough for ships. In truth they're in their element, a kind of royalty down there but so good that they're benign. Like royalty they know they need the awkward to set them off. One cuts an elaborate figure of concern for a fallen child showing he's not only good on skates but good at heart. Another averts what we're meant to believe is a disaster with arms thrown up and a nifty shift when a scarecrow falls twenty feet away. Thinking of Letitia and Spud who were moved to pledge their love right here, I realize the Breughel swirl below just may be a little version of the world though all the gestures seem too large, like a silent movie--mimed danger and concern, pratfalls, the rubber-kneed drunks, bad music in the background and love pledged in the balcony. ------------------------------------------------ The Substitute - L e s l _ i e Adrienne Miller [NOTE: The author's first name is L _ e s l i e, but for some weird reason, the forum's censorware thinks that the name is a profane or suggestive word.] We knew only that she was too pretty for 8th grade English, and that she'd had a baby, but never a husband. This gave us every right to moral outrage and meanness. Somebody passed a note: Nobody answer her, and we knew how this worked, how the girls who swelled a bit at the waist and took on that pale, stricken look became invisible to us soon after. Too pretty, too willing. We wondered how the school could have missed what we knew. This one with her great sheaf of blonde hair bound in a silk scarf, her hips and stomach returned to maiden slimness did not fool us. We knew the threads of story caught from the mouths of mothers over the fence at the Country Club pool, whispers and glances when she came back in the first bikini we'd seen on a woman, and this only months after. No good, was all my father said when I asked about the man who left her. She was ours then, for three weeks and a whole unit of grammar. Simple choice: was/were, she/her. We all looked out the window at the mown hill, the adult world driving down the afternoon; we traced the hoops and lines of our game to keep from looking into her eyes. Charlie blew an obscene pink bubble, Shawn popped his knuckles, and Kitty let go a whole set of colored pencils. Somebody passing in the hall squished their nose on the door glass, and the substitute threw her hair back over her shoulder like a heavy brocade. Chester panted, Pete squirmed and banged the locks of his spine down the chair back. She couldn't go to the principal, she couldn't single out the intractable ones, so she huffed, rolled her queen's blue eyes, and answered the questions herself, looking out above us somewhere, and taking the tail of hair back into her hands again and again: lie/lay, she/her, he/him, while the chalk dust gathered in pillars of sunlight: ride/ rode/ridden-- We worked at our picture of a man, swarthy, animal eyed, possibly astride a motorcycle, cruelly muscled, steaming bare chest. Scum, I thought, as I snuck peeks at her creamy skin, the svelte navy skirt she couldn't have worn when it happened. I drew horses on all of my notebooks, swelling their withers and flanks, topping them with girls who filled their hands with streaks of mane, blissful, reckless, while the substitute went on invoking correct pronouns, agreeing verbs, and we/us, I/me, dismantled her, her breasts, her lover, her speckled scarves, and dainty feet, and carried it away in doodles, reveries, silence, to the great cache of our rich and dangerous unknowing. |
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| Re: Favorite Poems Alone by E.A. Poe From childhood's hour I have not been As others were; I have not seen As others saw; I could not bring My passions from a common spring. From the same source I have not taken My sorrow; I could not awaken My heart to joy at the same tone; And all I loved, I loved alone. Then- in my childhood, in the dawn Of a most stormy life- was drawn From every depth of good and ill The mystery which binds me still: From the torrent, or the fountain, From the red cliff of the mountain, From the sun that round me rolled In its autumn tint of gold, From the lightning in the sky As it passed me flying by, From the thunder and the storm, And the cloud that took the form (When the rest of Heaven was blue) Of a demon in my view. |
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